The Belfrey Brothers

Experience Writing Halloween Flash Fiction  Prompt Inspired by ” Hanging Bat ” Photo by M Berg.

Hanging Bat by Maria L. Berg 2026

Oscar and Adil Belfrey weren’t supposed to be up and out roaming around the shadow-filled streets of town at this ungodly hour.

But that’s what they had been doing, and they had a grand time of it.

The trouble was, Mom locked the house up as tight as an iron maiden when their Dad was away, leaving them to quietly sneak back in like robbers.

They decided to scale the ivy-choked walls to the library window, and of course it turned out to be locked; so they had to scramble all the way up to the dust-choked gloom of the attic, and from there they slid inward through a jagged, triangle-shaped portal known locally as a “Witch’s Door”—a narrow threshold almost invisible to anyone who didn’t know where to look for it.

The Witch’s Door was never locked.

From the attic, they crept like wraiths down the creaking staircase toward their bedroom, knowing this route was fraught with peril and carried a very high risk of waking their mother.

Oscar and Adil are brothers, twelve years old and chillingly identical. If one of them hatched a scheme, the other instantly decided it was the most brilliant stroke of genius anyone living or dead had ever conceived.

Adil had the bright idea to glide down to Mrs. Finch’s cottage and purloin a few of the world-famous pies she always left cooling on her creaking back porch beneath the pale moonlight.

They didn’t particularly care for her cooking, but her pies made a wonderfully hollow, satisfying splat when gravity dragged them back to Earth after being launched from the trees by Oscar and Adil.

“Hey, Oscar, do you think Mom knows we’ve been out?”

“Mom knows everything, Adil; she says she has ears like a bat.”

Both boys snickered. They looked up and around with furtive, guilty expressions stamped onto their freckled faces, half-expecting their mother to materialize from the shadows with a ledger of endless chores as penance for prowling the night “at this horrible hour without permission.”

Oscar looked at their shuttered bedroom window; from the top, he could see daylight begin to creep in. “Uh-oh,” he whispered.

Both boys ran into the center of their bedroom, jumped into the coffin they shared, and as they slammed the lid shut down over their heads, they saw a bat hanging from their ceiling.

“You’re little monsters, the pair of you,” it said. “Just wait until your Father gets home and hears about what you did to Mrs. Finch’s shepherd’s pie. It took her forever to find those shepherds. They don’t grow on trees like apples, you know.”

From inside the oak coffin decorated with cartoon character stickers, two very tired voices said, “We know.”

The Last Shift at Gravesend

Inspired by Experience Writing Halloween Flash Fiction Prompt: SCREAMS

Abandoned Victorian house marked “BUILT 1855” beside a muddy country road

AI Photo By WP
A.M. Moscoso

Nellie Fletcher lived alone in her little house on Fletcher Road—and by alone, I mean it was the only dwelling on a four-mile stretch of road that led straight up to Gravesend Mine. Nobody ever came up Nellie’s way unless they were lost and they were dead set on staying that way.

In its heyday,  Gravesend produced just enough gold to keep the miners and Gravesend’s ( the only mercantile and saloon was owned by Nellie Fletcher’s family)  dangling on the hook of one day striking it rich—though that day never came.

Part of the reason that day never came, or maybe a lot of the reason, that the mine was never really fully worked was that with some gold, the miners also found bones and scraps of clothing, and—on the coldest nights—the faint, rhythmic sound of pickaxes striking rock drifted up from deep beneath their feet and found its way into the head of all of the miners.

“It sounds like someone is digging their way up from below, ”  Silas Martin told Nellie  Fletcher’s great-grandfather Franklin. “That mine could be paved in gold, but the sounds coming up from the ground are scaring the men out of the mine. Something is working its way up from below.”

“The Devil, you say.” Franklin Fletcher said to Silas.

” Well. I didn’t, but that’s what some are saying.”

As time wore on, some miners held on and kept working as others fled, – they ignored the bones, the bits of clothing, the loose teeth, the charred bits of wood, and the sounds of pickaxes ringing up from below their feet for a while. If there was a ghost of a chance they could strike it rich, they told themselves, they were going to keep working.

So they kicked the bones aside and kept looking for their gold.

Abandoned mine tunnel with wooden supports, rail cart marked 1855, and mining tools

Artwork by WP / AI
A.M. Moscoso

The Gravesend Mine ended, without fanfare, on November 1st, 1860. On that day, a group of six workers went in, and they never came back out. Franklin, the sheriff, and three men from the saloon went into the mine to see if there had been an accident, but all they found were oil wick lamps running dry. They found miners’ tools neatly propped against the walls. They found the ever-present bones, but they didn’t find a single miner.

They went down into the mine as slowly as condemned men on their way to the gallows. On their way back out, the sheriff stopped the small group and asked, “Did you hear that?”

The men looked at each other, and then said, almost in unison, “I didn’t hear anything. Not a sound.”

Of course they heard it: the sound of pickaxes thudding and scraping against the earth, coming from deep beneath their feet. They ignored it as they hurried out of the mine, but later, each of them would hear those echoes late at night, just as they were drifting off to sleep.

And it kept them awake all the way to dawn.

Pickaxe and two lit lamps on a wooden bench inside a mine

AI by WP
A.M. Moscoso

Nellie Fletcher died alone in her house five years ago on October 31st.

As far as I know, she is still in her bed, covered with her homemade quilt. Her head is still turned to her left, where her now-empty eye sockets stare at the hardwood floor—the very floor that vibrated with the last sound she ever heard: pickaxes thudding and scraping against the earth in a mine just a few miles away from her home,  echoing right up through her floorboards.

Rocking chair in abandoned room

AI Photo by WP
Anita Moscoso

Cold Winds, Cold Fates

Experience Writing Halloween Challenge: SCREAMS

Photo A.M. Moscoso – October 2026

In a cold, windswept field under a vast and heavy blue sky is a pumpkin patch—a tangled mass of orange, gold, and green gourds waiting to be harvested by Grim Reapers in heavy winter jackets trimmed with fleece and muddy boots with cartoon characters stamped on their toes.

Some of the pumpkins have warts; some already have faces carved by rain and frost. Some are broken and rotting, slowly in the field because of the cold.

But the one thing all the pumpkins in the cold and windswept field share is that if you were to put your ear to the ground, you would hear them screaming for help—as you would too, if you were to share the fate that awaits them on October 31st.

Photo A.M. Moscoso
October 2026

Not-So-Quiet Exhibits

Experience Writing Halloween Photo Challenge:  Take a picture of screams

This is a scream:

Photo A.M. Moscoso
From Ripleys Museum

This is a scream too:

Photo A.M. Moscoso
Ripley’s Museum
October 2025

And this is the kind of thing that catches you by surprise and makes you scream out loud in the middle of the night, just when you think you’re safe in your own warm bed.

Pboto A.M. Moscoso
“Jemma-Riplelys Museum, Dells WI USA